A ROOM OF HAPTIC KNOWLEDGE, a six-day drawing performance and immersive installation in collaboration with Bronwyn Hack and Terry Williams, Arts Project Australia, Melbourne. Performance 22 27 October 2017. Exhibition 28 October 2 December 2017. Pigment pen drawing on wall by Gosia, soft sculpture and embroidery by collaborative artists.
A THROUGH-GREY ROOM, a 10-day drawing performance and immersive installation, pigment pen on glass, wall and objects, Mornington Peninsula Regional Gallery, Metropolitan Melbourne. Performance 4 13 July 2017. Installation opened on 22 July 2017. Installation on view: long-term, till mid 2018.
GRASS, FROST DRAWING FOR OMI, 10-day drawing performance / installation on glass wall at Omi Benenson Visitors Center, The Fields Summer Exhibition. Performance drawing process 17 - 27 May 2017, Installation on view from 27 May 2017, Omi International Arts Center, Ghent New York, USA.
ARTIST IN RESIDENCE, BoxoPROJECTS, Joshua Tree, California, USA, 12 February 6 March 2017 and Art Palm Springs, USA, 1619 February 2017. Projects:
ANOTHER HAPPY LANDING, AFTER GROBLICKA (2016) was acquired by City of Fremantle Print Collection, Western Australia. Digital photo-collage, archival inkjet print, 41x43 cm.
SILVER TUNICS, one day performance drawing and situation. Diptych, pigment pen on polyester and two documentation photographs by Longin Sarnecki, Jacaranda Drawing Prize 2016, Grafton Regional Gallery,
Gosia Wlodarczak FROST DRAWING artist book, 96 pages, 28 x 22 x 2 cm, hard cover with slipcase and translucent section, limited edition of 500 numbered and signed, writers Catherine de Zegher, Anne Ryan, Russell Storer with citation from David Hansen essay TO & FRO; design Gosia Wlodarczak; photographer Longin Sarnecki; published by Gosia Wlodarczak PRESENCE, ISBN 978-0-9875119-2-8 Frost Drawing", an artist book by Gosia Wlodarczak, is created as a lasting component for a series of her ephemeral drawing projects on glass. ...Frost drawings become and live their limited existence thanks to a growing number of art institutions and public spaces across Australia and internationally which invite and host the project. This list includes: Art Gallery of New South Wales, Australian Department of Foreign Affairs and Trade, Canberra Museum and Gallery, National Gallery of Australia, Queensland Art Gallery | Gallery of Modern Art, Sofitel Melbourne on Collins, Sofitel Sydney Wentworth, TarraWarra Museum of Art, The Street Theatre, Moscow Biennale, Singapore Biennale and private spaces. Published November 2016.
ARTIST IN RESIDENCE, Grafton Regional Gallery, NSW, 31 October28 November 2016.
FROST DRAWING FOR WATFORD HOUSE, one-day performance drawing with installation on the windows and doors of Watford House, pigment pen on glass. Project curated by Lyndal Jones for A WALLABY ONCE SAT HERE, SMALL ACTS OF CELEBRATION, ECOLOGY AND THE FEMININE. Images courtesy of the artist and The Avoca Project Inc, The Swiss House, Avoca, Australia, 25 November - 4 December 2016.
A ROOM WITHOUT A VIEW (EXTENDED), a 24-day sensory limitation drawing performance, Kathleen O'Connor Gallery, Fremantle Arts Centre, Fremantle. Performance 23 September 16 October 2016. Post-performance installation on view till 12 November 2016. Image linked: Gosia Wlodarczak (2016) A ROOM WITHOUT A VIEW (extended), a 24-day sensory limitation drawing performance and installation at Kathleen O'Connor Gallery, Fremantle Arts Centre, Australia, curated by Ric Spencer (23 October - 12 November 2016); pigment pen on wall, room dimensions: 500x900x500 cm overall drawing size: 140 m2.
MANY HAPPY LANDINGS, a survey exhibition of printed works showcasing documentation photography by Longin Sarnecki, curated by Gosia Wlodarczak and Andre Lipscombe, Collection Gallery, Fremantle Arts Centre, Fremantle, 23 September 12 November 2016.
SILVER TUNICS, one day performance drawing and situation. Diptych, pigment pen on polyester and two documentation photographs by Longin Sarnecki, Jacaranda Drawing Prize 2016, Grafton Regional Gallery,
FIVE DAYS IN THE LIFE OF DYING FLOWERS, pigment pen, pollen, object on paper, Kedumba Drawing Award 2016, Orange Regional Gallery, 20 August - 16 October 2016.
MAPPING LORETO MANDEVILLE, FROST DRAWING, a public art project at Loreto Madeville Hall, Melbourne.
SITUATIONS JOSHUA TREE (2012) presented by BoxoPROJECTS at Palm Springs Art Fair, USA, 1114 February 2016.
THE TUNIC, one-hour drawing performance during the photo-session by Ilona Nelson for her project This Wild Song (a series of photographic portraits and interviews with Australian women artists who have a unique voice),
stCloud: FROST DRAWING FOR SEGUE, an eight-day drawing performance / installation on glass across four locations: Canberra Museum and Gallery, Department of Foreign Affairs and Trade, National Gallery of Australia, The Street Theatre, SEGUE International Festival curated by Caroline Stacey, The Street Theatre, Canberra, 715 May 2016.
THE ICE CUBE, FROST DRAWING FOR MSK GENT (2015 on display till 2016) ephemeral installation, curated by Catherine de Zegher a the Museum of Fine Art Gent, Belgium, on view 10 October 2015 - 5 March 2015 Image linked: Gosia Wlodarczak (2015) THE ICE CUBE, FROST DRAWING FOR MSK GENT, a 14-day performance drawing and installation on glass internal structure and other surfaces at Museum of Fine Arts in Ghent, Belgium, at TANGENTS exhibition curated by Catherine de Zegher (10 October 2015 - 05 March 2016); pigment pen on glass, overall size: 67 m2 + small situation drawing on windows and doors across the museum.
DUST COVERS ART COLLECTIVE WA and FROST DRAWING FOR ART COLLECTIVE WA (pigment pen on glass, overall size 180 x 720 cm), a four-week drawing performance and installation, Artist in Residence project, Art Collective WA Gallery, Subiaco Western Australia, 19 October - 16 November 2015
THE ICE CUBE, FROST DRAWING FOR MSK GENT, a 14-day drawing performance and installation at RAAKLIJNEN (Lines of Tangency) curated by Catherine de Zegher a the Museum of Fine Arts Gent, Belgium, 10 October 2015 - 5 March 2015. Image linked: Gosia Wlodarczak (2015) THE ICE CUBE, FROST DRAWING FOR MSK GENT, a 14-day performance drawing and installation on the internal glass structure and other surfaces at Museum of Fine Arts in Ghent, Belgium, LINES OF TANGENCY curated by Catherine de Zegher (10 October 2015 - 05 March 2016); pigment pen on glass, overall size: 67 m2 + small situation drawing on windows and doors across the museum.
A ROOM WITHOUT A VIEW screened at Drawing International Brisbane 2015, DRAW TO EXPERIENCE v2, exhibition curated by Kellie O'Dempsey, QCA POP Gallery, Brisbane and ANU Galleries, Canberra
PAST AS PRESENT, FOUND IN TRANSLATION. INTERPRETATION DRAWING #6: THE DROWNED WORDS,
SITUATIONS SOFITEL, MELBOURNE digital photo-collage 100x200 cm, finalist Hutchins Work on Paper Prize, Hobart, 7 20 September 2015
HABITAT CAPSULES, a suit of four digital photo-collages: WALKING SZCZECIN, PERTH, MELBOURNE and NEW YORK exhibited in PICA SALON 2015 Epic Narratives, curated group exhibition, Perth Institute of Contemporary Art,
EDIBLE DRAWING FOR PICA (diptych) a social situation performance and consumable installation at PICA SALON 2015 Epic Narratives, Perth Institute of Contemporary Art, 5 July 2015
Two documentaries: A ROOM WITHOUT A VIEW and FROST DRAWING FOR THE AGNSW screened at DRAW TO PERFORM 2, DURATIONAL DRAWING PERFORMANCES international symposium on live drawing performances curated by Ram Samocha at NUM3ER, South London, UK, 16 &17 May 2015
FOUND IN TRANSLATION: DEAKIN UNIVERSITY ART GALLERY, a solo exhibition of the Instruction Drawing project curated by Emma Cox at the Deakin University Art Gallery, Australia, 28 April 29 May 2015. Image linked: Gosia Wlodarczak (2015) FOUND IN TRANSLATION: DEAKIN UNIVERSITY ART GALLERY, the Instruction Drawing project at Deakin University Art Gallery, from left top and bottom: INTERPRETATION DRAWING #3 WORLDLY, interpretation drawing with instructions: 26 stencils, installation layouts and grids; graphite, pigment pen on wall, 520x1034 cm. Encoded text: 93 characters message by Deakin University Art Gallery. Makers: Leanne Willis, Emma Cox, Brad Rusbridge, Roxanna Richens, Julie Nolan, Callum Ross and Julie Nelson; second left: FOUND IN TRANSLATION, Interpretation Drawing #4: THE CONCRETE POEM, interpretation drawing with instructions: 26 stencils, installation layouts and grids; graphite, crayon on wall, 520x596 cm. Encoded text: an eight-word concrete poem created in collaboration with the Deakin University community. Makers: Brad Rusbridge, Gosia Wlodarczak; next top: FOUND IN TRANSLATION, Interpretation Drawing #2: SIGNS process of making; bottom: FOUND IN TRANSLATION, Interpretation Drawing #4: THE CONCRETE POEM detail; far right: FOUND IN TRANSLATION, Interpretation Drawing #2: SIGNS, interpretation drawing with instructions: 28 stencils, installation layouts and grids; graphite, pigment pen on wall, 520x1034 cm. Encoded text: 169 characters a citation from "Cosmicomics. A Sign in Space" by Italo Calvino. Maker: Gosia Wlodarczak
SHADOW ON LONG GULLY, FROST DRAWING FOR TARRAWARRA, a three-day drawing performance on the North Gallery’s glass widow Pigment pen on glass, 500 x 250 cm, TarraWarra Museum of Art, Australia, performance dates 68 February 2015, installation on view till 15 March 2015. Image linked: SHADOW ON LONG GULLY, FROST DRAWING FOR TARRAWARRA (2015), a three-day drawing performance and installation on the North Gallery’s window, as part of the FOUND IN TRANSLATION exhibition, Tarrawarra Museum of Art, Australia. Pigment pen on glass, overall dimensions: 550 x 250 cm
FOUND IN TRANSLATION, a solo exhibition curated by Victoria Lynn at the TarraWarra Museum of Art, Australia, 29 November 2014 15 March 2015. Images linked: Gosia Wlodarczak FOUND IN TRANSLATION, a solo exhibition at Tarrawarra Museum of Art, from left: A ROOM WITHOUT A VIEW (OPEN BOX), seven panels of the nine-panel drawing installation, which is an outcome of the 17-day drawing performance at RMIT Gallery (2013); second left: on the wall FOUND IN TRANSLATION, THE DRUNKEN BUDDHA (Interpretation Drawing #1 with Instructions) three panel instruction drawing, pigment ink on linen, pencil, 26 stencils, 3 layouts, 3 diagrams, 2 instructions; overall size 214 x 690 cm on the floor A ROOM WITHOUT A VIEW.
MT.BAKER screened at the Art Stage Singapore Video Stage, 22 25 January 2015
FOUND IN TRANSLATION, a solo exhibition at the TarraWarra Museum of Art, Australia, 29 November 2014 15 March 2015. Linked images: Gosia Wlodarczak FOUND IN TRANSLATION (2014), at TarraWarra Museum of Art, Victoria, Australia; from left A ROOM WITHOUT A VIEW (with a view), seven panels of the nine-panel drawing installation, which is an outcome of the 17-day drawing performance at RMIT Gallery (2013); second left on the wall FOUND IN TRANSLATION, THE DRUNKEN BUDDHA (Interpretation Drawing #1 with Instructions) three panel instruction drawing, pigment ink on linen, pencil, 26 stencils, 3 layouts,
ON THE SKY AND WATER, FROST DRAWING FOR THE AGNSW (2014), a seven-day drawing performance and installation on the Art Gallery of New South Wales window, pigment pen on glass, overall dimensions:
SITUATIONS SOFITEL, featuring a large scale digital print PROCESS CAPSULE SITUATIONS SOFITEL and a suite of
PERSONAL SPACE SOUTH EAST WALLS: 78 X 4 = 312 (2003), a large scale performance drawing on paper, 310 x 910 cm, featured in TRACE: Performance and its Documents an exhibition at the Gallery of Modern Art (GOMA), Brisbane, Australia, 22 February - 27 July 2014. Curated by Bree Richards, the exhibition included works by John Baldessari; Brown Council; Rebecca Horn; Bruce Nauman, Mike Parr; Campbell Patterson; Qin Ga; Carolee Schneemann; Sriwhana Spong; Song Dong; Ai Weiwei; Gosia Wlodarczak; Erwin Wurm; Zhang Huan, and more.
WALL DRAWING FOR BOHNACKER, a five-day performance/situation drawing on walls and objects commissioned by the Bohnacker Store Solutions, EuroShop 2014 International Trade Fair, Düsseldorf, Germany,
C4RD WINDOW: DRAWING FOR THE SILENT ROOM & STATION NOISE, a six-hour drawing performance on glass with a documentary film production, Centre for Recent Drawing, London, UK, 24 June 2014. Linked image: Gosia Wlodarczak C4RD WINDOW: DRAWING FOR THE SILENT ROOM & STATION NOISE (2014), a six-hour drawing performance and installation, Centre for Recent Drawing, London, UK. Pigment pen on glass and objects. Space dimensions: 400 (h) x 350 x 550 cm
THE BENCH (2008) pigment pen on linen wrapped over object, 160 x 320cm, an outcome of The Bench performance held at Marking Time, International Drawing Conference, the College of Fine Arts, University of New South Wales, with a drawing performance project The START Bench (2014), Fehily Contemporary at the START Art Fair, Saatchi Gallery, London, UK,
PROCESS CAPSULE SITUATIONS SOFIITEL (2014), archival inkjet print on Hahnemühle Rag 300, digital collage using 714 photographs of the performance Situations Sofitel by Longin Sarnecki), 100 x 240 cm, edition 5 + A/P, a winner of Fremantle Arts Centre Print Award 2014 at the Fremantle Arts Centre, Western Australia, 26 September - 16 November 2014
LATE DINNER CONVERSATION, a three-hour drawing performance/situation drawing (pigment pen, acrylic on linen, 110 x 210 cm) at Murdoch Children Research Institute fundrising dinner, Melbourne, Australia, 26 October 2013
FROST DRAWING FOR THE MOSCOW MANEGE, the 5th Moscow Biennale: More Light curated by Catherine de Zegher, The Manege, Moscow, Russian Federation, 26 September - 20 October 2013. Linked Images: Gosia Wlodarczak FROST DRAWING FOR THE MOSCOW MANEGE (2013), the 5th Moscow Biennale of Contemporary Art; 21-day (210 hours) performance drawing and installation, pigment pen on the interior architecture (glass surfaces) of the Manege: the conference room, balustrades and entrance wall, The Moscow Manege Exhibiting Hall, Russian Federation; overall drawing size: over 230 m2. This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.
FROST DRAWING FOR THE MUSEUM (Mroz; Rysunek w Muzeum), a 5-day performance drawing and installation, curated by Magdalena Lewoc, MCA The National Muzeum in Szczecin, Poland, performance dates:
DRAWN TO EXPERIENCE: AN ENQUIRY INTO PERFORMANCE DRAWING, an exhibition curated by Kellie O'Dempsey, POP Gallery, the Queensland College of the Arts, Brisbane, Australia, 9 22 September 2013
FROST DRAWING FOR SOFITEL SYDNEY WENTWORTH and SITUATIONS SOFITEL: SYDNEY, Artist in Residence projects, Sofitel Sydney Wentworth, Australia; 15 July - 6 August 2013, opening of the glass drawing installation Soiree Cafe, Sofitel Sydney Wentworth, 6 August 2013
A ROOM WITHOUT A VIEW a drawing performance and installation exhibition, RMIT Gallery, Melbourne, Australia. Performance: 19 June - 5 July 2013. Exhibition: 27 June - 17 August 2013. Linked image: A ROOM WITHOUT A VIEW (2013) 14-day performance drawing and installation, pigment marker on the walls, ceiling and floor inside a specially build black cube placed in the Gallery 1, RMIT Gallery Melbourne; room size: 320 x 240 x 260(h) cm.
Wlodarczak featured in VITAMIN D2: NEW PERSPECTIVES IN DRAWING, published by Phaidon, London, UK, with an essay by Australian writer and curator Veronica Tello. The publication presents "the work of 115 artists at the forefront of the global contemporary drawing scene." Australian artists featured in the book: Maria Kontis, Richard Lewer, Cameron Robbins and Gosia Wlodarczak, May 2013
MT.BAKER (2012) screened in Drawing Data exhibition curated by Stephen Gallagher, the exhibition is part of the Drawing Out 2013 International Symposium at First Site Gallery, RMIT University, Melbourne, Australia,
DUST COVER HUMAN PORTRAIT 6, BEVAN: two-hour performance drawing, private commission, Bevan Tippett's 40th Birthday celebration, Melbourne, Australia, 7 March 2013
BETWEEN WANDER & SETTLEMENT (AFTER): featuring a series of works titled DUST COVER WWU DESIGNER FURNITURE COLLECTION and MT. BAKER, the animation film with sound-drawing, Fehily Contemporary, Melbourne, Australia, 7 February - 2 March 2013.
THE SHINING (2012) glass drawing installation and THE LIGHT BEAM (2012) video projection featured in TRANSPARENCY, exhibition curated by Danny Lacy, artists: Andrew Hazewinkel and Gosia Wlodarczak, West Space, Melbourne, Australia, 19 October - 10 November 2012.
DUST & FROST (2012): four-week performance projects, Sofitel's Melbourne Artist in Residence programme. Performances: SOFI'S LOUNGE DUST COVERS (11 - 24 July) FROST DRAWING FOR SOFITEL'S LOBBY 26 July - 7 August), Sofitel Melbourne On Collins, Australia, 11 July - 7 August 2012.
SHARED SPACE WALL DRAWING FOR GLEN EIRA (2012) & DUST COVERs HUMAN: performance drawings featured in an exhibition Encouters curated by Diane Soumilas, Glen Eira City Council Gallery, Melbourne, Australia, 31 May - 24 June 2012. The SHARED SPACE WALL DRAWING FOR GLEN EIRA performance was held on 30 May 2012, 2 - 6pm. Artists included in the exhibition: Fabrice Bigot & Jane Burton, Farrell & Parkin, Simon Obarzanek, Clare Rae, Julie Rrap and Gosia Wlodarczak
WINDOW SHOPPING, FROST DRAWING FOR GoMA (2012) a large scale performance drawing on the Gallery of Modern Art entrance glass wall, commissioned as part of the Contemporary Australia: Women exhibition at the Queensland Art Gallery/Gallery of Modern Art, Brisbane, Australia, 21 April - 22 July 2012
THE TRAIN TRIP animated film with sound-drawing, will be screened at Drawing Now Paris, an annual art fair devoted to contemporary drawing held at Carrousel du Louvre, Paris, 29 March 1 April 2012 The work is one of six films in the Drawing Center New York program Pathway: Drawing In, On, and Through the Landscape. Artists included in the project: Ann Carlson & Mary Ellen Strom, Mark Harris, Jessica Mein, Terry Nauheim, Candida Richardson, and Gosia Wlodarczak. Curated by Claire Gilman, Joanna Kleinberg and Rachel Liebowitz.
WALL DRAWING FOR SAM (2012) a two-day drawing performance commissioned by the Shepparton Art Museum as a part of the Drawing Wall project; Shepparton Art Museum, Australia, 18 February - 17 May 2012
FROST DRAWING FOR JOSHUA TREE and SITUATIONS (2012): a three-day (3 - 5 February) drawing performance on glass windows, walls at the BoxoHOUSE and a series of 14 situation "drawing études" in public and nature locations across Joshua Tree and surrounds during one-week residency at the BoxoHOUSE, Joshua Tree, California, USA, works on show through May 2012. A selection of the series SITUATIONS exhibited at BoxoOFFICE, New York, USA, 20 October - 15 December 2012
BETWEEN WANDER & SETTLEMENT: an exhibition of: SKIN OF THE WALL drawing installation, DUST COVER WWU DESIGNER FURNITURE COLLECTION two-week residency prformance project and screening of THE TRAIN TRIP and MT. BAKER animations with sound-drawings, Western Gallery, Western Washington University, Bellingham, WA, USA, 16 January - 3 March 2012
National Gallery of Australia in Canberra recently acquired two large scale drawings on paper by Gosia Wlodarczak: EASTER TABLECLOTH FOR TWO (2008) performance drawing, pigment marker, objects, food on paper, size: 100 x 150cm and TOASTER - MORNING (2003) 6 panels, pigment marker on paper, overall size: 200 x 100 cm, 6 August 2013
BETWEEN VISIT & MIGRATION which includes a three-week drawing performance on glass titled FROST DRAWING FOR FEHILYS, Fehily Contemporary Glasshouse Gallery 27 October - 19 November 2011. Held at during exhibition: 1,5-hour performance DUST COVER HUMAN PORTRAIT 5 on 5 November, 3.30 - 5 PM
THE TRAIN TRIP animated film with sound-drawing presented in New York in the Drawing Center and Big Screen Plaza exhibition Pathway: Drawing In, On, and Through the Landscape. Screening dates: 21-24 September 2011. This program investigated the medium of drawing through six short films shown in succession... Artists included in the project: Ann Carlson & Mary Ellen Strom, Mark Harris, Jessica Mein, Terry Nauheim, Candida Richardson, and Gosia Wlodarczak. Curated by Claire Gilman, Curator; Joanna Kleinberg, Assistant Curator; and Rachel Liebowitz, Assistant Curator, The Drawing Center."
THE TRAIN TRIP sound-drawing, animated film and an artist book, solo presentation at IMPACT7 International Multi-disciplinary Printmaking Conference, Monash University, Melbourne, Australia 27-30 September 2011
Gosia Wlodarczak is now represented by Fehily Contemporary, Melbourne, with her first solo exhibition THE TRAIN TRIP at the Fehily Contemporary Loft Gallery 15 September - 8 October 2011
2011 SINGAPORE BIENNALE: Open House. Commissioned project: FROST DRAWING FOR KALLANG (2011), a 10-day drawing performance on glass, Old Kallang Airport, Singapore. Biennale exhibition dates: 13 March - 15 May 2011
THE TRAIN TRIP: SZCZECINPOZNAN (2010) inkjet print, finalist at the Burnie Print Prize 2011, Burnie Regional Gallery, Tasmania, Australia, 19 March - 8 May 2011
FROST DRAWING FOR THE LIBRARY (2011), a four-day performance, participatory situation drawing on glass at the La Trobe University Library. Commissioned as the 1st part of three-year project by LUMA / La Trobe University Museum of Art, Bundoora (Melbourne), Australia, performance dates 21 - 24 March 2011
DUST COVER EZRI and DUST COVER CHAIR exhibited in FREEHAND:recent Australian drawing curated by Linda Michael, 24 November 2010 - 6 March 2011 at the Heide Museum of Modern Art, Melbourne, Australia. Other artists include: Peter Booth, eX de Medici, Marco Fusinato, Mira Gojak, Locust Jones, Newell Harry, Michelle Ussher, Del Kathryn Barton, Steven Asquith, Richard Lewer, Eugene Carchesio, Greg Creek, Domenico De Clario, Matt Hinkley, Joyce Hinterding, Laith McGregor, Alasdair McLuckie, Robert Macpherson, Catherine O’Donnell, Nick Selenitsch, Sandra Selig, Aida Tomescu, Peter Tyndall and Ken Whisson.
CARTOGRAPHY OF TEA DRINKING drawing installation, a finalist, the Dobell Prize for Drawing, Art Gallery of New South Wales, Sydney, 6 November 2010 - 30 January 2011
DUST COVER PAINTING, THE TRIAL BY SIDNEY NOLAN drawing performance & a lecture, National Gallery of Australia, Canberra; the Big Draw event on 9 and 10 October 2010
DUST COVER HUMAN, PORTRAIT 04 a finalist in the 2010 Jacaranda Acquisitive Drawing Award, Grafton Regional Gallery, New South Wales, Australia, 27 October - 12 November 2010
SOUTH WALL LEFT (drawing on paper, triptych: 150 x 70 cm, 2004/5) exhibited in Degrees of Density curated by Marylin Symmes 2 July - 5 September 2010 at Arkansas Art Center, Little Rock, USA, and 19 October - 20 November 2010 at Columbus State University, Georgia, USA.
BETWEEN VISIT & MIGRATION the Australia Council for the Arts Skills and Professional Development Grant Greene Street, New York, USA; three months studio residency, 7 March - 5 June 2010
CONTEMPORARY AUSTRALIAN DRAWING 1 and CONSTELLATION: A Large number of Small drawings, RMIT Gallery, Melbourne, Australia, 8 April - 26 June 2010
SELF-CENTRED Arc One Gallery Project Space, Melbourne, Australia 30 March - 1 May 2010
SZCZECINPOZNAN TRAIN TRIP sound drawing; presented first time at Western Washington University, Bellingham, USA, 1 March 2010
CONVERSATION (from the Shared Space series) Helen Maxwell Gallery, Canberra, Australia, performance drawing exhibition 27 February - 28 March 2009
TABLECLOTH FOR 10 performance drawing installation I walk the line: new Australian Drawing Museum of Contemporary Art Sydney, Australia, 17 March - 24 May 2009
THE SOFA ; IKEA Home Project THE SOFA; COFFEE & A CHAT drawing performance 28 July 12 noon - 6pm, CarriageWorks Performance Space, Sydney, Australia, 28 July - 4 August 2009
SOMEONE AND I a selection of performative works with documentation, Greenaway Art Gallery, Adelaide, Australia, 26 August - 4 October 2009
PROCESS CAPSULE PHANTOM archival inkjet print (from Process Capsules series) at International Print Triennial Krakow Bunkier Sztuki Contemporary Art Gallery, Krakow, Poland 16 September - 11 October 2009, PROCESS CAPSULE YOHJI Contemporary Art Gallery, Opole, Poland, PROCESS CAPSULE PHANTOM and PROCESS CAPSULE BEO International Print Triennial, Kunsthalle, Vienna, Austria, May 2010
SHARED SPACE NEW YORK performance drawing exhibition, Kentler International Drawing Space, Brooklyn NY, USA,, 28 March - 5 May 2008
SAFETY ZONE SZCZECIN performance drawing exhibition, OFFicyna place for art, Szczecin, Poland, 18 April - 17 May 2008
CINDERELLA II - the DREAMER hybrid drawing exhibition: installation, interaction, sound & video, South Australian School of Art Gallery, University of South Australia, Adelaide, 20 May - 27 June 2008
CINDERELLA II - the DREAMER drawing installation, digital prints, sound & video, ARC One Gallery, Melbourne, Australia, 16 September - 11 October 2008
THE BENCH @ International Drawing Conference 'Marking Time' the performative aspects of drawing organized by International Drawing Research Institute (IDRI) College of Fine Arts, the University of NSW, Sydney, Australia, 3 - 4 October 2008
WITHIN drawing process on the front window of the gallery The Swiss House a group exhibition, RMIT University Project Space/Spare Room Gallery, Australia, 9 - 31 October 2008